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Thunderball is the soundtrack album for the fourth James Bond film Thunderball.

The album was first released by United Artists Records in 1965 in both monaural and stereo editions, with a CD release in 1988.^[1] The music was composed and conducted by John Barry, and performed by the John Barry Orchestra. This was Barry's third soundtrack for the series. The soundtrack was still being recorded when it came time for the album to be released, so the LP only featured twelve tracks from earlier in the film; an expanded edition with six bonus tracks was released for the first time when the album was reissued on Compact Disc on 25 February 2003 as part of the 'James Bond Remastered' collection. Additionally, the music in the film was unfinished days before the film's release in theatres due to a late change by Eon Productions to use a title song with the same name as the film.

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Title theme change[edit]

The original main title theme to Thunderball was titled 'Mr. Kiss Kiss, Bang Bang', which was written by John Barry and Leslie Bricusse. The title was taken from an Italian journalist who in 1962 dubbed agent 007 as 'Mr. Kiss Kiss, Bang Bang'. Barry had thought he could not write a song about a vague 'Thunderball' term or the film's story, so his song was a description of the character James Bond.^[2]

The song was originally recorded by Shirley Bassey. When there were concerns with the length of the track compared to the needed titles, it was later rerecorded by Dionne Warwick as Bassey was not available and featured a longer instrumental opening designed so the lyrics would not be heard until after the title 'Thunderball' appeared in Maurice Binder's title design.^[3] Neither version was released until the 1990s. The song was removed from the title credits after United Artists requested that the theme song contain the film's title in its lyrics.^[4] When it was planned to use the Warwick version in the end titles Shirley Bassey sued the producers^[5][6] with the result being that neither version was heard in the film and different instrumental versions of the theme appeared on the High Fidelity (Bassey's) and Stereo (Warwick's) soundtrack LPs.^[7]

Barry teamed up with lyricist Don Black and wrote 'Thunderball' in a rush.^[8]Tom Jones, who sang the new theme song, allegedly fainted in the recording booth after singing the song's final, high note.^[8] Jones said of the final note, 'I closed my eyes and I held the note for so long when I opened my eyes the room was spinning.'^[9]

Country musician Johnny Cash also submitted a song to Eon productions titled 'Thunderball' but it wasn't used.^[10] The lyrics of Cash's 'Thunderball' describe the film's story.^[11]

The producers' decision to change the film's theme song so close to the release date meant that only some of the film's soundtrack had been recorded for release on LP.^[8] Adding to the delay issues, Barry had written large amounts of the score around the original theme and woven it throughout the score (along with the recurring underwater 'Search For Vulcan' motif). After 'Thunderball' was written, Barry wrote, orchestrated, and recorded several new pieces interpolating it. Barry's scores always included a track which gave the film's theme song a full statement in the form of a sensitive, slowed-down instrumental ballad, often played over a romantic moment or a scene set in a nightclub or casino^{[citation needed]}; he re-arranged 'Thunderball' as a lush, subtly jazzy orchestral piece in the easy listening style that was popular at the time.

Though 'Mr. Kiss Kiss Bang Bang' was dropped as the theme song, some of the pieces which included its melody remained part of the score, and it receives full statements twice: by full orchestra and jazz rhythm quartet with bass, drums, guitar, and vibraphone in the track 'Café Martinique' (immediately followed by the 'Vulcan' cue), and as a wild, bongo-laden cha-cha-cha in 'Death of Fiona.' The scene which includes the latter takes place at Club Kiss Kiss, and features the bongo drumming of bandleader King Errisson. Because Thunderball's score had, essentially, two main themes to work from, as well as the 'Search For Vulcan' cue, the '007 Theme' and the 'James Bond Theme,' it is arguably^{[weasel words]} the richest of the early Bond scores, thematically speaking.

Composition[edit]

The tune was composed in the key of B-flat minor.^[12]

Track listing[edit]

1. 'Thunderball (Main Title)' – Tom Jones^[A]
2. 'Chateau Flight'^[A]
3. 'The Spa'
4. 'Switching the Body'
5. 'The Bomb'
6. 'Cafe Martinique'
7. 'Thunderball (Instrumental)'
8. 'Death of Fiona'
9. 'Bond Below Disco Volante'
10. 'Search for Vulcan'
11. '007'^[B]
12. 'Mr. Kiss Kiss Bang Bang'

CD bonus tracks

1. 'Gunbarrel/ Traction Table/ Gassing the Plane/ Car Chase'^[A]
2. 'Bond Meets Domino/ Shark Tank/ Lights out for Paula/ For King and Country'^[A]
3. 'Street Chase'^[B]
4. 'Finding the Plane/ Underwater Ballet/ Bond with SPECTRE Frogmen/ Leiter to the Rescue/ Bond Joins Underwater Battle'^[B]
5. 'Underwater Mayhem/ Death of Largo/ End Titles'^[A][B]
6. 'Mr. Kiss Kiss Bang Bang (Mono Version)'

Notes[edit]

1. ^ ^abcdecontains the 'James Bond Theme', originally composed for the Dr. No soundtrack
2. ^ ^abcdcontains '007', originally from the From Russia with Love soundtrack

Outside the film[edit]

• In 1965, KYW-TV in Philadelphia adapted the '007' track, also used in the film From Russia with Love as its longtime theme for its Eyewitness News format. It went on to be used in other Group W stations in Boston, Pittsburgh, Baltimore and San Francisco for their newscasts.

Parodies / tributes[edit]

• In 1996, 'Weird Al' Yankovic parodied Tom Jones during the opening theme song of the comedy Spy Hard. Instead of passing out, as Jones allegedly did, Yankovic's head explodes at the opening song's end.
• The opening theme to the Warner Bros. cartoon Duck Dodgers (2003–05), performed by Tom Jones with the Flaming Lips, is a pastiche of 'Thunderball'.
• Jones sang the theme during Sean Connery's AFI Life Achievement Award ceremony in 2006.
• Jaret Reddick, lead singer of Bowling For Soup, covered 'Thunderball' on the 2017 multi-artist compilation album, Songs, Bond Songs: The Music Of 007.^[13]

See also[edit]

References[edit]

1. ^'Thunderball - SoundtrackCollector.com'.
2. ^Fiegel, Eddy. John Barry: A Sixties Theme. New York: Macmillan, 2001.
3. ^Spencer, 2008, p. 63-64.
4. ^p. 51 Burlingame, Jon The Music of James Bond Oxford University Press, 01/10/2012
5. ^p.336 Williams, John Miss Shirley Bassey Quercus, 01/11/2010
6. ^p. 56 Burlingame
7. ^Kendall, Lukas Liner notes Thunderball CD
8. ^ ^abcSpencer, 2008, p. 64.
9. ^'Tom Jones's comments on the Thunderball song'. Interview with Singer Tom Jones. Retrieved 10 September 2005.
10. ^Bitter Cinema piece on Johnny Cash's Thunderball
11. ^YouTube –Thunderball Opening with Johnny Cash
12. ^'Thunderball Piano Transcription Of Original Tom Jones Recording For James Bond'. Musicsheets.org. Retrieved 29 May 2020.
13. ^'Songs, Bond Songs: The Music Of 007'

Bibliography[edit]

• Burlingame, Jon The Music of James Bond Oxford University Press, 01/10/2012
• Spencer, Kristopher. Film and Television Scores, 1950–1979: A Critical Survey by Genre. Jefferson, N.C.: McFarland & Co., 2008

Event Details

6.30pm

The CLAN Thunderball will be one of the first events of its kind to take place at P&J Live on Saturday, 5th October 2019, and will be hosted by premier host and auctioneer Alex Fleming.

This year's event will be held on International James Bond Day and will embody the suave and glamorous world of 007. Get ready to be part of this fantastic evening, make sure your martinis are shaken (not stirred) and secure your table or one of our sponsorship packages to avoid disappointment.

This event plays a crucial role in allowing CLAN to continue their development, as they further expand their services in the heart of local communities, providing a range of services including counselling, complementary therapies and cancer specific support groups.

The CLAN Thunderball promises to be an evening not to be missed and will include a drinks reception, followed by a three-course dinner, live entertainment and dancing to a live band.

Whether attending as a corporate night out, staff or personal celebration, the night promises to dazzle you and your guests.

VIP tables of 10 - £1,200 (Limited availability)

Tables of 10 - £1,000

To find out more or to secure your table please contact [email protected]

Frequently Asked Questions

Yes, there is parking available on-site at P&J Live.

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There are various ways to pay for your parking at P&J Live

On site payment machines: We accept both cash and card payments on site, pay on exit is required by entering your vehicle registration at any one of our machines located in the car parks.

APCOA Connect App: Up to 1 hour after you have left the venue, you can pay for your parking on the APCOA Connect App. Once you have downloaded the app, use location code 6680 for the Sub-T Car Park (underground) and location code 2356 for the Overground Car Park.

Up to 3 hours - £3.50

Up to 8 hours - £10.00

Please find full details on our parking tariff here. Please pay on exit by entering your car registration

On site payment machines: We accept both cash and card payments on site, pay on exit is required by entering your vehicle registration at any one of our machines located in the car parks.

APCOA Connect App: Up to 1 hour after you have left the venue, you can pay for your parking on the APCOA Connect App. Once you have downloaded the app, use location code 6680 for the Sub-T Car Park (underground) and location code 2356 for the Overground Car Park.

If you are dropping off or picking someone up from an event, please note the maximum wait time in our car parks is 30 minutes. Parking charges will apply if your car is within the car park for more than 30 minutes. This also applies if you cannot find a space, you will not be charged if you exit the car park within 30 minutes.

Tickets are available from our ticketing agent Ticketmaster on www.ticketmaster.co.uk or by calling 08444 77 9000.

P&J Live do not sell tickets directly.

Our box office at P&J Live will be open on concert days only. This will be open from 17:30 on the date of the show only and closes once the main act comes on stage.

If you have any ticketing or box office queries contact [email protected]

There is a wide range of food and beverage options available to purchase for concerts and events, including catering outlets offering a variety of hot food options.

Please note - it is against venue policy to allow patrons to bring in their own food and drink to the venue. At P&J live it is our aim to be completely cashless, all of our bars, kiosks and restaurants accept card payments, this is more efficient, safe and ensures a speedy transaction. There are therefore no cash machines on the TECA site.

Getting into Aberdeen has never been easier with the completion of the new Aberdeen Western Peripheral Route.

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P&J Live is located close to Aberdeen airport, six miles northwest of the city centre you can reach the venue using a range of transport options.

For more details see our Visiting page.

There will be no cash machines on site, however contactless payments are welcome.

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At P&J Live it is our aim to be completely cashless, all of our bars, kiosks and restaurants accept card and contactless payments. Please note we do have some cash only queues, please ensure you are in the correct queue. This is more efficient, safe and ensures a speedy transaction.

There are no cash machines on the TECA sites.

Getting to P&J Live

P&J Live
East Burn Road,
Stoneywood,
ABERDEEN,
AB21 9FX

Email: [email protected]

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Phone: +44 (0) 1224 824 824